Issue 57.1-2 - James Joyce Quarterly
Close Menu

Issue 57.1-2

Raising the Wind
Sean Latham


Memories of a Magical Bookshop–A Review of “Wise Men Fished Here”: The Centennial Exhibition in Honor of the Gotham Book Mart, New York, 1920-2020
Richard J. Gerber



Introduction to “The Art of Joyce”
Scarlett Baron, Ronan Crowley, and Dirk Van Hulle


Joyce’s Art of Mosaic
Scarlett Baron


“Dialogue Between Dashes”: A Reconstructed Edition of Dubliners
Valérie Bénéjam and Elizabeth M. Bonapfel


Budgeting the Self: Joyce’s Letters to Stanislaus from Rome
Xander Ryan


Stephen Dedalus from A Portrait of the Artist as a Young Man to Ulysses
Luca Crispi


All the Way from Gibraltar
Sam Slote


Joyce’s Linguistic Skepticism: The Personal Library as a Cognitive Toolbox
Dirk Van Hulle


Restacking Joyce’s Library
Ronan Crowley



William S. Brockman



“Built with glue and clippings”: Joyce, Clipping Bureaus, and the Art of Recycling
Dipanjan Maitra


Creative Processes in the Two French Translations of “Sirens”
Flavie Épié


Conjuring the Shades of Queen Victoria in Ulysses
Ann Wilson Green


A Halt for Hearsake: Data Modeling for a Digital Genetic Edition of Finnegans Wake II.2§6
Halila Bayramova


The James Joyce Digital Archive
Danis Rose, John O’Hanlon, and Stacey Herbert


Open Editions Online
Jonathan Reeve and Hans Walter Gabler



Penelope Says
Robert Berry



Joyce’s Allmaziful Plurabilities: Polyvocal Explorations of “Finnegans Wake”, edited by Kimberly J. Devlin and Christine Smedley
Paul K. Saint-Amour


De Shylock à Cinoc: Essai sur les Judaïsmes Apocryphes, by Philippe Zard
Valérie Bénéjam


James Joyce’s “Portrait”: A New Reading, by David Pierce
Greg Winston


“Ulysses,” Film and Visual Culture, by Philip Sicker
Garry Leonard


“Ulysses” in West Britain: James Joyce’s Dublin and Dubliners, by Michael Murphy
Marian Eide


At Fault: Joyce and the Crisis of the Modern University, by Sebastian D. G. Knowles
Colleen Jaurretche


James Joyce’s Silences, edited by Jolanta Wawrzycka and Serenella Zanotti
Omer Kazmi


Invalid Modernism: Disability and the Missing Body of the Aesthetic, by Michael Davidson
Jeremy Colangelo


Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film, edited by Julian Murphet, Helen Groth, and Penelope Hone
Eleni Loukopoulou


Beckett’s Political Imagination, by Emilie Morin
Erika Mihálycsa