Volume 52.1 - James Joyce Quarterly
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Volume 52.1

Perspectives

Clive Hart (1931-2016)
Fritz Senn

“Obstructing the thoroughfare”: A Report on the Dublin James Joyce Summer School, 3-9 July 2016
Niels Caul

“Real Adventures Must Be Sought Abroad”: Swedish Students Encounter Dublin and the Dubliners
Angelica Granqvist

Articles

Milly Bloom as Blind Spot in Ulysses
Katherine Ryan

An Abode of Bliss: Plumtree’s Potted Meat and the Allegory of the Theologians
Blake Leland

The Stability of Laughter in A Portrait of the Artist as a Young Man, or Quis est in malo humore…ego aut vos?
James Nikopoulos

“Ordovico or viricordo”: Joyce’s Road from Newman to Vico
John D. Shaeffer

Credible Resonance, or Believable Euphony in the Joyce Oeuvre
Jefferey Simons

Reviews and Notices of James Joyce in the United States, 1916-1920
George Monteiro

With Joyce in Saint Gérand-le-Puy: Maria Jolas’s “Joyce en 1939-1940” in Translation
Neil R. Davison

JJQ Checklist

Current JJQ Checklist (125)
William S. Brockman

Notes

Exhuming the Monks of Mount Melleray from “The Dead”
Kieran Quinlan

A Source for the “Most Profound Sentence” in A Portrait of the Artist as a Young Man
Daniel Aureliano Newman

Entertainments

Two Gallants
Robert Berry

Review Essay

Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance
Ollie Evans, Christa-Maria Lerm Hayes, and Derek Pyle

Reviews

Medieval Invasions in Modern Irish Literature, by Julieann Veronica Ulin
Joseph Kelly

Conspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie by Jean Kane
Marcia K. Farrell

Translatin Joyce: Global Transmissions in Ibero-American Literature, edited by Brian L. Price, César A. Salgado, and John Pedro Schwartz
Jesús Isaías Gómez-López

Haunted Historiographies: The Rhetoric of Ideology in Postcolonial Irish Fiction, by Matthew Schultz
Emer Nolan

Yeats and Afterwords, edited by Joseph Valente and Marjorie Howes
Anna Finn

The Disappointed Bridge: Ireland and the Post-Colonial World, by Richard Pine
Bruce Stewart

Flann O’Brien & Modernism, edited by Julian Murphet, Rónán McDonald, and Sasche Morrell
Paul Fagan

Modernism and Christianity, by Erik Tonning
Jack Dudley

Modernism, Middlebrow and the Literary Canon: The Modern Library Series, by Lise Jaillant
Hannah McGregor

Waywords and Meansigns: Recreading “Finnegans Wake” (In Its Whole Wholume), directed by Derek Pyle
Aodhán Kelly and Tom De Keyser

Beckett in Brooklyn: The Brooklyn Academy of Music’s Next Wave Festival Revival of Three One-Act Plays, “Not I,” “Footfalls,” and “Rockaby”, by Samuel Beckett
Richard J. Gerber

Letter

Sidney Feshbach, Richard Barlow

Contributors

Abstracts