A scan of four playing cards from a Ulysses Themed deck. The cards are black ink illustrations on top of a rainbow that stretches from the bottom left of each card to the top right. On the top left card is the 10 of spades with a bare-chested woman with waves wrapping around her with the caption "yes". On the top right is the Jack of diamonds, with a child-like Satan sitting on a egg-like orb. On the bottom left is the 4 of diamonds, featuring a crucified Jesus wearing a bowler hat and with a long thin fish covering his abdomen at an angle; the caption reads" INRI-IHS I have suffered iron nails ran in". The final card on the bottom right is the queen of spades, representing Anne Hathaway with her head peeking out from the Globe theater stage. End image description.

PERSPECTIVES

The Curse of a Title: bloominauschwitz (or, What’s Leopold Bloom Got To Do With It?)
Patrick Morris

ARTICLES

Hunter and Gatherers: On the Trail of the Dubliners “Ulysses” and Its Mysterious Hero
Marc A. Mamigonian

A Committee Room. A Table. Evening: Using Beckett’s Waiting for Godot to Read Joyce’s “Ivy Day in the Committee Room”
Ray Leonard

“Noticeably Longsighted from Green Youth”: Ocular Proof of James Joyce’s True Refractive Error
Jan van Velze

One Thousand and One Nights of Ulysses: Joyce’s Empathetic Intertexuality
Katie Logan

Mourning Becomes Dedalus: Ethics, Prosopopoeia, and Impossible Mourning in Ulysses
Christopher DeVault

The “Cornish Tokens” of Finnegans Wake: A Journal Through the Celtic Archipelago
Stephanie Boland

Joyce, Heidegger, and the Material World of Ulysses: “Ithaca” as Inventory
John Scholar

JJQ CHECKLIST

William S. Brockman

ENTERTAINMENTS

Penelope Says
Robert Berry

REVIEWS

Dubliners,by James Joyce, edited by Keri Walsh
A Portrait of the Artist as a Young Man, by James Joyce with annotations by Marc A. Mamigonian and John Turner
Greg Winston

Epifanie, by James Joyce, translated by Adam Poprawa
Finneganów Tren, by James Joyce, translated by Krzysztof Bartnicki
Jolanta W. Wawrzycka

The “Ulysses” Delusion: Rethinking Standards of Literary Merit, by Cecelia Konchar Farr
Ira Nadel

Political Monsters and Democratic Imagination: Spinoza, Blake, Hugo, Joyce, by Patrick McGee
Anthony Uhlmann

Standish O’Grady’s Cuculain: A Critical Text, edited by Gregory Castle and Patrick Bixby
Luke Gibbons

Revolutionary Damnation: Badiou and Irish Fiction from Joyce to Enrightby Sheldon Brivic
Richard Barlow

“Ulysses” Quotīdiānus: James Joyce’s Inverse Histories of the Everyday, by Jibu Mathew George
Tiana M. Fischer

Metropolis and Experience: Defoe, Dickens, Joyce, by Hye-Joon Yoon
Younghee Kho

Chimeras of Form: Modernist Internationalism Beyond Europe, 1914-2016, by Aarthi Vadde
Patrick Herald

Odyssean Identities in Modern Cultures: The Journey Home, by edited by Hunter Gardner and Sheila Murnaghan
David Weir

The Ordnance Survey and Modern Irish Literature,
by Cóilín Parsons
Kiron Ward

At the Mercy of Their Clothes: Modernism, the Middlebrow, and British Garmet Culture, by Celia Marshik
Jarica Linn Watts

Written in My Heart: Walks Through James Joyce’s Dublin, by Mark Traynor and Emily Carson
Josh Newman

CONTRIBUTORS

ABSTRACTS